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Big Question

How can we become dance critics and help each other create magical mini beast performances?

Learning Objectives

  • To understand what makes a good dance performance
  • To give useful feedback to our partner using dance vocabulary
  • To improve our own performance based on feedback received

Key Outcomes

  • Students will perform their mini beast dance with improved timing and expression
  • Students will identify strengths and areas for improvement in peer performances
  • Students will use simple technical dance vocabulary when giving feedback

Equipment & Resources Required

Music Player
1

Position for clear sound throughout hall, test volume before lesson

Alternative: Tablet with speakers, laptop with external speaker

Performance Music Track
2-3 tracks

Queue up 'The Time of Your Life' and 'Ugly Bug Ball' tracks ready to play

Alternative: Backup music on different device

Sun Markers
1 set

Position where all students can see, have performance checklist ready to display

Alternative: Flip chart paper and markers, prepared performance checklist poster

Digital Cameras
1

Ensure device is charged and has sufficient storage space for multiple recordings

Alternative: Mobile phone with video capability

Bibs
15 sets

Prepare numbers 1 and 2 for easy pair identification during peer evaluation

Alternative: Coloured stickers, hand gestures for numbering

Key Vocabulary

Performance

Dancing in front of an audience with confidence and expression

Timing

Moving in time with the music beat

Expression

Using your face and body to show the character or feeling of the dance

Feedback

Helpful comments that tell someone what they did well and how they can improve

Audience

People who watch a performance

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Created and practised mini beast dance sequences
  • Learned basic dance vocabulary (levels, directions, unison)
  • Worked collaboratively in pairs

Current Skills

  • Performance skills and stage presence
  • Peer evaluation and constructive feedback
  • Self-reflection and improvement techniques

Next Steps

  • Apply evaluation skills to new dance styles
  • Lead warm-ups using learned movement patterns
  • Create dances for different themes and audiences

Milestone Indicators

1
Maintains focus during entire performance
2
Uses dance vocabulary when giving feedback
3
Shows visible improvement between attempts

Key Teaching Points

  • Use the performance checklist consistently throughout the lesson
  • Model high-quality feedback using 2 stars and a wish format
  • Encourage specific observations using dance vocabulary
  • Build confidence through positive reinforcement and celebration
  • Focus on individual improvement rather than comparison
  • Maintain supportive audience atmosphere during performances
  • Connect timing skills to musical awareness and expression

Common Misconceptions

  • Thinking performance means being perfect - emphasise expression and effort over perfection
  • Believing feedback should focus on mistakes - teach positive, constructive approach
  • Assuming all students must perform identically - celebrate individual interpretation and improvement
  • Thinking evaluation is about judging others - frame as helping and supporting peers

SEN Adaptations

ADHD
  • Break performance into shorter sections, provide movement breaks, use high energy activities constructively
dyspraxia
  • Focus on individual improvement rather than comparison, provide additional practice time, break down complex movements
autism spectrum
  • Provide clear structure for feedback sessions, use visual performance checklist, prepare students for audience situations
visual impairment
  • Provide verbal descriptions of performances, use tactile feedback methods, buddy system for spatial awareness
hearing impairment
  • Use visual cues for timing, provide written feedback formats, ensure visual demonstration of all instructions
physical disability
  • Adapt movements to individual abilities, focus on achievable performance criteria, modified feedback methods

Cross-Curricular Links

English

Speaking and listening skills during feedback, using descriptive vocabulary, following instructions

Maths

Counting beats, recognising patterns, spatial awareness and positioning

Music

Responding to rhythm and beat, musical appreciation, timing and coordination

PSHE

Building confidence, giving and receiving feedback, celebrating achievements, working collaboratively

Teacher Guidance

Positioning

Move around space during practice, central position during performances for visibility

Observation Focus

Watch for application of performance criteria, quality of peer feedback, improvement between attempts

Intervention Points

Step in if feedback becomes unkind, if students struggle with performance criteria, if safety concerns arise

Demonstration Notes

Model high-energy performance, demonstrate good audience behaviour, show specific feedback examples

Verbal Cues
  • •'Remember our checklist!'
  • •'Show me your mini beast character!'
  • •'Feel the music in your whole body!'
  • •'Give feedback that helps!'

Safety Considerations

Space & Surface Requirements

Space Requirements

Large hall or studio space, minimum 15m x 10m for whole class performance

Surface Check

Clean, non-slip surface free from obstacles and hazards

Equipment Safety

Safety Checks
  • •Music equipment positioned safely away from movement area
  • •Video equipment secured and not obstructing pathways
  • •Whiteboard positioned where all can see without blocking movement

Risk Management

Key Risks
  • •Collisions during group performance
  • •Trips and falls during excited movement
  • •Overexertion during repeated performances
Risk Mitigation
  • •Clear boundaries established for performance spaces
  • •Adequate spacing between pairs during practice
  • •Regular reminders about spatial awareness
  • •Monitor energy levels and provide rest as needed

Supervision & Emergency Procedures

Supervision Points
  • •Position to observe all students during performances
  • •Circulate during feedback sessions to guide discussions
  • •Monitor for signs of fatigue or overexcitement
Emergency Procedures

Stop activity immediately, assess situation, provide appropriate first aid or support as needed