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Big Question

How can we use canon and formation changes to create powerful group performances that tell a story?

Learning Objectives

  • To demonstrate effective cooperation and communication skills in group work
  • To use canon and formation changes to enhance group dance sections
  • To provide constructive peer feedback using specific criteria

Key Outcomes

  • Students will finalise and perform a 16-32 count group section with clear use of canon and formation changes
  • Students will demonstrate effective group cooperation and communication skills
  • Students will provide constructive peer feedback on timing, flow, formation and canon

Equipment & Resources Required

Music Player
1

Position for clear sound throughout dance space

Alternative: Tablet/phone with external speaker

Egyptian Reggae Music Track
1

Have track ready to play, test volume levels

Alternative: Any rhythmic music with clear 8-count phrases

Whiteboards
1

Visible to all students for recording feedback criteria

Alternative: Paper sheets for feedback recording

Video Device
1

Position for good view of performance area, check storage space

Alternative: Tablet or smartphone

Score Sheets
1 per pair of groups

Pre-written with stars and wishes format

Alternative: Mental feedback with verbal sharing

Key Vocabulary

Canon

When dancers perform the same movement sequence but start at different times, creating a layered effect

Formation

The arrangement or pattern that dancers make in the performance space

Transition

The movement or method used to change from one formation or section to another

Peer feedback

Comments and suggestions given by classmates to help improve performance

Performance quality

The energy, focus and commitment shown when dancing for an audience

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Basic formation awareness and group positioning
  • Understanding of simple canon techniques
  • Experience working in pairs and small groups
  • Basic dance vocabulary and movement quality

Current Skills

  • Complex formation changes with timing awareness
  • Multi-layered canon sequences
  • Constructive peer assessment skills
  • Integration of creative ideas into group work

Next Steps

  • Leading whole class performances
  • Creating original choreography with multiple dance elements
  • Advanced peer coaching and mentoring
  • Evaluating performances using technical criteria

Milestone Indicators

1
Groups can transition smoothly between formations whilst maintaining canon
2
Students provide specific, actionable feedback to peers
3
Group sections flow seamlessly into the complete dance piece
4
All students contribute meaningfully to group decision-making

Key Teaching Points

  • Canon must have clear timing differences - each dancer starts noticeably after the previous one
  • Formation changes should be smooth and purposeful, not rushed or messy
  • All group members must be actively involved in both creating and performing
  • Peer feedback should be specific and constructive, focusing on the four criteria given
  • Group cooperation includes listening to all voices and making collaborative decisions
  • Performance energy and commitment are as important as technical accuracy
  • Transitions between dance sections must maintain musical timing and flow

Common Misconceptions

  • Canon timing too close together - explain that audiences need to see clear differences between dancers
  • Formation changes as separate from dance content - show how they can enhance the choreographic story
  • Only confident students should lead groups - encourage shared leadership and decision-making
  • Feedback should focus on what went wrong - model positive, constructive feedback approaches
  • Perfect performance required - emphasise effort, creativity and cooperation over perfection
  • Individual sections more important than group work - highlight how all parts create the complete piece

SEN Adaptations

ADHD
  • Regular movement breaks built in, clear boundaries and expectations, positive reinforcement for focus and cooperation
dyspraxia
  • Simplified canon timings, extra practice time for formation changes, pair support for complex movements
autism spectrum
  • Clear structure with visual schedule, predictable group compositions, quiet space available if needed for breaks
visual impairment
  • Use verbal cues for formation changes, buddy system for positioning, tactile markers for performance area boundaries
hearing impairment
  • Visual demonstrations of canon timing, hand signals for transitions, written feedback sheets as alternative to verbal
physical disability
  • Adapted movements within capability, focus on upper body canon if mobility limited, inclusive formation roles

Cross-Curricular Links

English

Poetry appreciation and interpretation, verbal communication skills, creative writing inspired by movement

Maths

Counting in 8s and 16s, timing and rhythm patterns, spatial awareness and geometric formations

Music

Rhythm and beat recognition, musical phrase structure, tempo and timing awareness

PSHE

Cooperation and teamwork, giving and receiving feedback, building confidence and self-esteem

Teacher Guidance

Positioning

Move actively between groups during development, central position for whole class instruction and performance watching

Observation Focus

Group dynamics and cooperation, technical execution of canon and formation changes, quality of peer feedback and communication

Intervention Points

Support groups struggling with decision-making, guide groups not meeting technical requirements, mediate any conflicts over creative ideas

Demonstration Notes

Demonstrate: Use students to show effective canon timing and formation changes, model high-quality peer feedback language, show enthusiastic performance energy

Verbal Cues
  • •'Remember to start your canon 2 beats after the person before you!'
  • •'Make your formation changes smooth and purposeful!'
  • •'Give specific feedback - what exactly did you see that was good?'
  • •'Everyone's voice should be heard in your group discussions!'

Safety Considerations

Space & Surface Requirements

Space Requirements

Minimum 8m x 8m clear space for multiple groups, additional room for transitions

Surface Check

Clean, dry, non-slip surface free from obstacles and hazards

Equipment Safety

Safety Checks
  • •Music equipment positioned safely away from dance area
  • •Volume set at appropriate level to prevent hearing damage
  • •Trailing cables secured or wireless equipment used

Risk Management

Key Risks
  • •Collisions during formation changes
  • •Falls during energetic movements
  • •Muscle strains from insufficient warm-up
  • •Overexertion during extended group work
Risk Mitigation
  • •Clear boundaries established for each group's work area
  • •Adequate warm-up including dynamic and static stretching
  • •Progressive building of energy levels throughout lesson
  • •Regular checks on student wellbeing and hydration

Supervision & Emergency Procedures

Supervision Points
  • •Position to observe all groups simultaneously during development work
  • •Move between groups to monitor safety and dynamics
  • •Maintain clear sightlines during performances
Emergency Procedures

Stop activity immediately, assess situation, provide appropriate first aid, call for additional support if needed