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Big Question

How can we use canon and formation changes to create a powerful group performance that tells our story?

Learning Objectives

  • To work effectively in groups showing excellent cooperation skills and provide constructive peer feedback
  • To use the poem as a stimulus for creative and imaginative dance actions
  • To demonstrate canon and formation changes when creating and performing group sections

Key Outcomes

  • Students will perform a complete 32-count group section with clear use of canon and formation changes
  • Students will demonstrate effective collaboration and peer feedback skills
  • Students will create smooth transitions between different sections of the performance

Equipment & Resources Required

Tunnel Systems
1

Position centrally for clear sound throughout space

Alternative: Bluetooth speaker, tablet with speakers

Music Tracks
1

Have track ready to play, test volume levels

Alternative: Roman Numerals by Singsongalong or similar rhythmic track

Video Device
1

Optional for recording final performance

Alternative: Tablet, smartphone, camera

Smartboard
1

For viewing recorded performance if available

Alternative: Large screen, computer monitor

Cones
8-12

To mark formation positions if needed

Alternative: Spots, bean bags, chalk marks

Key Vocabulary

Canon

When dancers perform the same movement but at different times, creating a ripple effect

Formation

The arrangement or pattern that dancers make in the space

Transition

The movement or method used to connect different sections of a dance

Stimulus

Something that inspires or triggers creative ideas for movement

Peer Feedback

Helpful comments given by classmates about performance

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Basic formation work from previous lessons
  • Understanding of rhythm and timing in dance
  • Experience working in pairs and small groups
  • Knowledge of the stimulus poem from previous lessons

Current Skills

  • Canon techniques with precise timing
  • Complex formation changes during performance
  • Collaborative choreography creation
  • Peer assessment and feedback skills

Next Steps

  • Performance skills and stage presence
  • Complex multi-group choreography
  • Advanced dance techniques and styles
  • Leadership in creative group work

Milestone Indicators

1
Groups can perform 32 counts with clear structure
2
Canon is visible and well-timed
3
Formation changes are smooth and purposeful
4
Students provide constructive peer feedback

Key Teaching Points

  • Canon work requires precise timing - use counting and musical cues consistently
  • Formation changes should be purposeful and smooth, not rushed or unclear
  • Peer feedback must be specific and constructive - model the language you want to hear
  • Group cooperation is as important as individual performance - celebrate collaboration
  • Creative interpretation of stimulus should be encouraged and valued
  • Performance confidence grows through positive, supportive environments
  • Transitions between sections are crucial for overall performance flow

Common Misconceptions

  • That canon means everyone does different movements (actually same movements at different times)
  • That formations are just shapes (they should enhance the dance's meaning and flow)
  • That feedback should focus only on mistakes (positive recognition is equally important)
  • That dance is only about individual performance (group work and collaboration are essential)
  • That creativity means anything goes (creative work still needs structure and technique)
  • That louder/bigger automatically means better in dance (control and precision are more important)

SEN Adaptations

ADHD
  • Regular movement breaks, clear individual roles within groups, immediate positive feedback
dyspraxia
  • Simplified movements initially, extra practice time, buddy support for complex sequences
autism spectrum
  • Clear structure and routine, visual schedule of lesson sections, predictable peer feedback format
visual impairment
  • Use verbal descriptions of formations, physical guidance for positioning, enhanced audio cues for timing
hearing impairment
  • Visual cues for timing and formations, written feedback forms, peer demonstration of expectations
physical disability
  • Adapted movements appropriate to individual abilities, inclusive formation roles, focus on creative contribution

Cross-Curricular Links

English

Using poetry as stimulus for creative expression, developing vocabulary for peer feedback

Maths

Counting beats and timing, understanding patterns and sequences in canon work

Art

Creating visual compositions through formations, exploring spatial relationships

Music

Responding to rhythm and beat, understanding tempo in transitions

PSHE

Collaboration skills, giving and receiving feedback constructively, building confidence

Teacher Guidance

Positioning

Move actively between groups during development, central position for whole-class work

Observation Focus

Group cooperation, canon timing accuracy, formation clarity, peer feedback quality

Intervention Points

Support groups struggling with timing, mediate group conflicts, enhance feedback quality

Demonstration Notes

Model canon timing with volunteer students, show formation examples, demonstrate positive feedback language

Verbal Cues
  • •'Count with me - 1, 2, 3, 4'
  • •'Show me your formation clearly'
  • •'Give specific feedback about what you saw'

Safety Considerations

Space & Surface Requirements

Space Requirements

Minimum 8m x 8m clear space, preferably school hall

Surface Check

Non-slip surface, clear of obstacles and hazards

Equipment Safety

Safety Checks
  • •Check music equipment is positioned safely away from movement area
  • •Ensure cones/markers have no sharp edges
  • •Test volume levels to prevent hearing damage

Risk Management

Key Risks
  • •Collisions during formation changes
  • •Slips during dynamic movement
  • •Emotional upset during peer feedback
Risk Mitigation
  • •Clear group boundaries established with adequate spacing
  • •Taught safe formation changing techniques
  • •Modelled positive feedback approaches
  • •Progressive building of complex movements

Supervision & Emergency Procedures

Supervision Points
  • •Position for clear view of all groups
  • •Circulate actively during group work
  • •Monitor peer interactions during feedback
Emergency Procedures

Stop signal established, first aid kit accessible, clear evacuation route