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Big Question

How can we combine individual creativity with group collaboration to create a powerful dance performance?

Learning Objectives

  • To work effectively in collaborative groups to create choreography
  • To apply chance choreography techniques in group dance creation
  • To incorporate formation changes, dynamics, canon, unison, direction and level in dance composition

Key Outcomes

  • Students will complete their 20-second group choreography section using chance choreography
  • Students will demonstrate effective group communication and collaboration skills
  • Students will perform a complete Haka-inspired dance piece with smooth transitions

Equipment & Resources Required

Tunnel Systems
1

Positioned where all students can hear clearly, volume appropriate for space size

Alternative: Bluetooth speaker, tablet with speaker dock

Music Tracks
2 prepared tracks

Primary: 'Haka Maori: Frederico Palma Remix' by Karmin Schiff and Frenk DJ, Performance: 'Ka Mate Chants Maoris' by Te runga Rawa

Alternative: Spotify playlist, downloaded MP3s on device

Digital Cameras
1

For filming final performances if time permits, ensure battery charged and memory available

Alternative: Smartphone, school camera, recording device

Whiteboards
1

For displaying learning objectives and success criteria clearly visible to all students

Alternative: Large paper sheets, interactive whiteboard

Markers
20

To help groups define their performance areas and maintain appropriate spacing

Alternative: Masking tape, chalk marks, floor spots

Key Vocabulary

Chance choreography

A creative method where dance movements are generated through random selection or improvisation techniques

Canon

When dancers perform the same movement but start at different times, creating a ripple effect

Formation

The spatial arrangement or pattern that dancers create on the performance space

Dynamics

The quality of movement including speed, force, flow and control - from sharp/sudden to smooth/sustained

Unison

When all dancers perform exactly the same movement at exactly the same time

Transition

The connecting movement or moment that links different sections of a dance together smoothly

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Understanding of basic Haka movements and cultural significance
  • Experience with individual travel sequences and pair work
  • Knowledge of dance elements: canon, unison, formation, dynamics

Current Skills

  • Collaborative choreography development using chance techniques
  • Integration of multiple dance elements in group compositions
  • Performance skills with cultural sensitivity and authenticity

Next Steps

  • Creating original dance compositions inspired by other cultures
  • Teaching and leading dance workshops for younger students
  • Developing advanced choreographic techniques and storytelling through dance

Milestone Indicators

1
Students contribute meaningfully to group choreography decisions
2
Groups demonstrate clear use of formation, canon, unison and dynamics
3
Students perform with confidence, commitment and cultural respect

Key Teaching Points

  • Cultural sensitivity and respect must be maintained throughout all Haka-inspired movement
  • Chance choreography should generate genuine creativity, not random meaningless movement
  • All six dance elements (formation, dynamics, canon, unison, direction, level) must be clearly identifiable
  • Group collaboration requires active listening and inclusive decision-making processes
  • Performance quality comes from commitment and authenticity, not technical perfection
  • Transitions between sections are as important as the sections themselves for overall impact
  • Self-reflection should be specific and focused on learning objectives for meaningful improvement

Common Misconceptions

  • Misconception: Chance choreography means random, uncontrolled movement. Correction: Explain that chance techniques provide creative starting points that are then developed purposefully
  • Misconception: Louder and more aggressive always means better in Haka. Correction: Teach that power comes from control and authenticity, not volume
  • Misconception: Everyone must do exactly the same movement in group work. Correction: Show how individual roles within collaborative work can enhance overall effect
  • Misconception: Cultural dance can be performed without understanding its meaning. Correction: Always connect movement to cultural significance and appropriate respect
  • Misconception: Mistakes in performance are failures. Correction: Emphasise that commitment and respect matter more than technical perfection

SEN Adaptations

ADHD
  • Break tasks into shorter segments, provide clear boundaries and expectations, offer leadership roles for engagement, use movement breaks
dyspraxia
  • Simplify complex coordination requirements, provide extra practice time, offer modified formations that require less precise timing
autism spectrum
  • Provide clear structure and predictable routines, offer quiet space if overwhelmed, use visual schedules for lesson sequence
visual impairment
  • Use verbal descriptions of formations and spatial relationships, provide tactile guidance for positioning, use audio cues for timing and transitions
hearing impairment
  • Use visual signals for music starts/stops, provide vibration cues through floor work, ensure clear sightlines to teacher demonstrations
physical disability
  • Modify movements for seated or supported positions, focus on upper body or achievable range of motion, ensure full participation in planning and evaluation

Cross-Curricular Links

English

Developing vocabulary related to dance and movement, discussing cultural traditions, creative writing about performance experiences

Art

Understanding visual composition through formation work, creating dynamic visual effects, appreciating cultural art forms

Geography

New Zealand location and landscape, Pacific island cultures, understanding how environment influences cultural expression

History

Learning about Maori culture and New Zealand heritage, understanding cultural traditions and their significance, exploring how dance preserves cultural stories

Music

Understanding rhythm, tempo and musical structure, responding to different cultural music styles, creating movement that complements musical elements

PSHE

Teamwork and collaboration skills, respecting cultural differences, building confidence through performance, emotional expression through movement

Teacher Guidance

Positioning

Central position during whole class work, circulate actively during group development, position for optimal viewing during performances

Observation Focus

Watch for collaborative communication, technical accuracy of dance elements, cultural sensitivity in movement quality

Intervention Points

Step in if groups struggle with organisation or inclusion, provide immediate feedback on cultural appropriateness, support technical development

Demonstration Notes

Always demonstrate with cultural respect, explain context of movements, show technical elements clearly with exaggerated examples for visibility

Verbal Cues
  • 'Strong and proud like warriors!'
  • 'Listen to your group - everyone's ideas matter'
  • 'Feel the power of the Haka tradition'
  • 'Sharp movements, soft movements - show me the contrast'

Safety Considerations

Space & Surface Requirements

Space Requirements

Minimum 12m x 8m clear space for whole class performance, additional area for group work with defined boundaries

Surface Check

Clean, dry, non-slip surface essential for dynamic movement and formation changes, no obstacles or hazards

Equipment Safety

Safety Checks
  • Sound system positioned securely with trailing leads managed safely
  • Recording equipment stable and not in performance space
  • Space markers checked for trip hazards

Risk Management

Key Risks
  • Collisions during formation changes and group work
  • Overexertion during intensive performance practice
  • Cultural insensitivity in movement interpretation
Risk Mitigation
  • Clear group boundaries established and maintained throughout lesson
  • Regular breaks and hydration reminders during intensive practice
  • Continuous reinforcement of cultural respect and appropriate interpretation

Supervision & Emergency Procedures

Supervision Points
  • Position to observe all groups simultaneously during development work
  • Monitor group dynamics for inclusion and positive collaboration
  • Watch for signs of fatigue or frustration during extended practice
Emergency Procedures

Stop activity immediately if injury occurs, first aid trained staff available, clear evacuation route maintained, contact procedures known