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Big Question

How can we use our bodies to tell the story of different decades through dance?

Learning Objectives

  • To understand and perform characteristic dance movements from the 1960's and 1970's era
  • To incorporate level changes and different directions into dance sequences
  • To develop effective partner communication and collaboration skills

Key Outcomes

  • Students will perform a 32-count dance sequence incorporating 60's/70's dance movements
  • Students will demonstrate use of different levels, directions and pathways in their choreography
  • Students will combine their new sequence with previously learned 40's/50's movements

Equipment & Resources Required

Tunnel Systems
1

Position centrally for even sound distribution

Alternative: Portable speaker with phone/tablet

60's/70's Era Music Playlist
1

Prepare tracks in advance, ensure appropriate volume

Alternative: Jive Bunny Mega Mix, individual decade tracks

Markers Cones
4

Place one in each corner of the dance space

Alternative: Coloured bibs, hula hoops, chalk marks

Visual Aids
4 sets

Display images representing 40's, 50's, 60's, 70's in corners

Alternative: Hand-drawn signs, printed images

Key Vocabulary

Motif

A distinctive and recurring movement pattern or theme in dance

Level

The height at which movements are performed - high, middle, or low

Direction

The pathway or orientation of movement through space

Mirror Image

When partners perform the same movements as if looking in a mirror

Pathway

The route or pattern traced by a dancer moving through space

Era

A distinct period in history with characteristic styles and culture

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Basic body awareness and spatial understanding
  • Week 1 individual motif from earlier in unit
  • 40's/50's pairs dance sequence from previous lesson
  • Basic understanding of rhythm and timing

Current Skills

  • 60's/70's era dance movements (Swim, Mashed Potato, Hitch Hike, Saturday Night Fever)
  • Using levels, directions and pathways creatively
  • Partner communication and mirroring techniques
  • Combining multiple dance sequences

Next Steps

  • 80's/90's dance era movements
  • Creating original choreography
  • Group performance skills
  • Advanced partner and group work

Milestone Indicators

1
Demonstrates clear distinction between different era dance styles
2
Shows confident use of space and levels
3
Maintains timing and rhythm throughout extended sequences
4
Provides meaningful feedback to peers

Key Teaching Points

  • Emphasise the fun, expressive nature of 60's/70's dance culture throughout
  • Ensure accurate mirroring technique - opposite hands mirror each other
  • Look for genuine level changes that create visual impact, not just slight variations
  • Maintain the characteristic style of each movement while adding creative elements
  • Promote constructive peer feedback using specific dance vocabulary
  • Build confidence through supportive performance opportunities
  • Connect historical context to movement characteristics and cultural expression

Common Misconceptions

  • Mirroring means copying exactly the same movements (correction: mirror image uses opposite sides)
  • Level changes just mean bending knees slightly (correction: dramatic high/middle/low differences)
  • 60's/70's dance should look modern (correction: maintain era-appropriate styling and attitude)
  • Feedback should focus on what went wrong (correction: 2 stars and a wish format emphasises positives first)
  • All movements must be performed identically (correction: encourage personal style within structure)

SEN Adaptations

ADHD
  • Regular movement breaks built into instruction, clear short-term goals, frequent positive feedback and encouragement
dyspraxia
  • Break movements into smaller components, additional practice time, focus on coordination development at individual pace
autism spectrum
  • Clear structure with predictable routines, visual schedules for sequence order, quiet spaces available if needed
visual impairment
  • Use tactile cues for partner positioning, verbal descriptions of all movements, buddy system for spatial awareness
hearing impairment
  • Visual demonstrations with clear sight lines, vibration cues for rhythm, visual signals for transitions
physical disability
  • Adapt movements for seated performance, modify arm gestures for limited mobility, focus on achievable level changes

Cross-Curricular Links

English

Vocabulary development with era-specific terminology, communication skills through peer feedback and partner cooperation

Art

Visual representation of movement, understanding artistic expression through body movement, creative interpretation

History

Understanding social and cultural contexts of different decades, how dance reflects historical periods and social attitudes

Music

Rhythm, tempo, and musical styles of different eras, listening skills for tempo changes and musical cues

PSHE

Building confidence through performance, developing empathy through constructive feedback, cooperation and partnership skills

Teacher Guidance

Positioning

Move around perimeter to observe all pairs during partner work, central position for whole-class instruction

Observation Focus

Watch for accurate mirroring, creative use of space, positive peer interactions, and individual progress

Intervention Points

Step in if pairs struggling with cooperation, movements becoming unsafe, or feedback becoming inappropriate

Demonstration Notes

Demonstrate: All movements with exaggerated styling and energy, clear mirroring techniques, specific feedback examples

Verbal Cues
  • •'Mirror image - opposite hands!'
  • •'Make those level changes really dramatic!'
  • •'Keep that disco attitude!'
  • •'Smooth transitions between moves!'

Safety Considerations

Space & Surface Requirements

Space Requirements

Minimum hall space 15m x 10m, clear of obstacles for partner work and extended arm movements

Surface Check

Non-slip surface essential for twisting movements, check for any wet patches or debris

Equipment Safety

Safety Checks
  • •Music system positioned safely away from movement area
  • •Corner markers secured and visible
  • •Appropriate music volume for instruction and safety

Risk Management

Key Risks
  • •Collisions during partner mirroring work
  • •Slips during twisting foot movements
  • •Extended arm movements in close proximity
  • •Overexertion during extended sequences
Risk Mitigation
  • •Clear spacing guidelines for pair work
  • •Emphasis on controlled movements throughout
  • •Regular checks for surface hazards
  • •Progressive building of sequence length
  • •Clear boundaries for performance areas

Supervision & Emergency Procedures

Supervision Points
  • •Position for maximum visibility during pair work
  • •Monitor closely during feedback sessions for appropriate behaviour
  • •Watch for signs of fatigue during longer sequences
Emergency Procedures

Stop activity immediately, assess any injury, provide first aid as needed, clear space for emergency access