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Big Question

How can we use random elements to create meaningful dance that tells the story of World War 2?

Learning Objectives

  • To work collaboratively in groups demonstrating effective cooperation skills
  • To apply chance choreography techniques creatively to develop dance sequences
  • To incorporate choreographic devices including canon, unison, mirror image, and formation changes

Key Outcomes

  • Students will create a 32 or 64 count group dance section using chance choreography methods
  • Students will demonstrate effective teamwork and communication within their groups
  • Students will show understanding of choreographic devices through practical application

Equipment & Resources Required

Tunnel Systems
1

Test audio levels and have music ready to play

Alternative: Bluetooth speaker, laptop with speakers

World War II Themed Music
Playlist

Include 'The Dam Busters' and similar dramatic pieces

Alternative: Classical war film themes, period appropriate music

Worksheets
1 per group (8-10)

Pre-printed with action and device lists

Alternative: Laminated sheets for reuse

Dice
1 per group (8-10)

Large, easy to read dice preferred

Alternative: Number cards 1-6, online dice roller

Pencils
1 per group (8-10)

Have spares available

Alternative: Whiteboard markers for laminated sheets

Whiteboards
1

Visible to all students for action lists

Alternative: Large paper sheets

Key Vocabulary

Chance Choreography

A method of creating dance where random elements like dice determine movement choices

Canon

When dancers perform the same movement but start at different times, creating a ripple effect

Unison

When all dancers perform exactly the same movement at exactly the same time

Mirror Image

When dancers copy each other's movements as if looking in a mirror

Formation

The arrangement or pattern that dancers make on the floor

Adjective

A word that describes a noun (person, place, or thing)

Adverb

A word that describes how, when, where or why something is done

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Basic understanding of choreographic devices from previous lessons
  • Experience working in pairs for dance creation
  • Knowledge of World War 2 motifs and individual travel sequences

Current Skills

  • Collaborative choreography using chance methods
  • Group formation work and spatial awareness
  • Integration of multiple choreographic devices

Next Steps

  • Performance and refinement of complete group sequences
  • Combining all lesson elements into a cohesive War dance
  • Evaluation and improvement of group performances

Milestone Indicators

1
Groups can create movements using dice and worksheets independently
2
Clear demonstration of canon, unison and mirror image
3
Effective cooperation and shared decision-making in groups

Key Teaching Points

  • Chance choreography removes pressure of 'perfect' creativity - any outcome is valid
  • Group cooperation is as important as the final dance product
  • Choreographic devices transform the same action into different movement qualities
  • Creative interpretation matters more than literal representation
  • Building sequences systematically helps manage complex group choreography
  • Performance sharing shows variety possible from same starting method
  • Leadership opportunities develop confidence and responsibility

Common Misconceptions

  • Thinking chance choreography removes all choice - students still interpret creatively
  • Believing all groups should create similar dances - variety is the goal
  • Assuming choreographic devices are decorative - they fundamentally change meaning
  • Expecting polished performance immediately - process learning is the focus
  • Thinking one person should lead throughout - shared leadership builds cooperation
  • Believing mistakes ruin sequences - adaptation and problem-solving are valuable skills

SEN Adaptations

ADHD
  • Movement breaks between explanation sections, clear boundaries for group spaces, fidget tools during sitting time
dyspraxia
  • Simplified movement patterns, extra practice time, visual cues for formations, partner support
autism spectrum
  • Clear structure and routine, visual schedule of lesson stages, quiet reflection time, predictable group work
visual impairment
  • Clear verbal descriptions of actions, tactile guidance for formations, buddy system for movement
hearing impairment
  • Visual demonstrations, written instructions on worksheets, vibrations to feel music rhythm
physical disability
  • Adapted movements for seated or supported positions, modified choreographic devices, role as director/observer

Cross-Curricular Links

English

Understanding adjectives and adverbs through movement, vocabulary development, group discussion and communication skills

Maths

Counting beats, understanding probability in dice rolling, pattern recognition in choreography

History

World War 2 context, understanding historical events through movement interpretation

PSHE

Cooperation skills, leadership development, constructive feedback, managing performance nerves

Teacher Guidance

Positioning

Move between groups during creative work, front position for explanations

Observation Focus

Group cooperation, creative interpretation, use of choreographic devices

Intervention Points

Support groups struggling with cooperation, clarify chance choreography process

Demonstration Notes

Use volunteer groups to model process, show clear examples of devices

Verbal Cues
  • •'How could you make that movement even clearer?'
  • •'Show me the difference between your unison and canon'
  • •'What story is your group telling?'

Safety Considerations

Space & Surface Requirements

Space Requirements

Large hall or studio space minimum 10m x 15m, clear of obstacles

Surface Check

Non-slip flooring, free from hazards, adequate ceiling height for jumps

Equipment Safety

Safety Checks
  • •Dice should be large and smooth-edged
  • •Pencils kept safe during movement
  • •Music volume at appropriate level

Risk Management

Key Risks
  • •Collisions during formation changes
  • •Tripping over equipment or other students
  • •Overexertion during creative work
Risk Mitigation
  • •Clear boundaries for each group's movement space
  • •Controlled transitions between activities
  • •Equipment stored safely when not in use
  • •Regular checking of group spacing

Supervision & Emergency Procedures

Supervision Points
  • •Position for clear view of all groups
  • •Monitor group dynamics and cooperation
  • •Watch for signs of overexertion or frustration
Emergency Procedures

Stop music immediately, clear pathways for assistance, appropriate first aid response