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Lesson 1 - Controlled Balances

Counter-Balance Dynamics

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Year 8

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Gymnastics

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Big Question

How can body tension and precise control help us create stunning gymnastic balances that defy gravity?

Learning Objectives

Students will hold controlled balances on a variety of points and patches on different numbers of body parts
Students will link skills to perform smooth sequences of balanced movements
Students will evaluate others' work using correct technical gymnastics terminology

Key Outcomes

All students will demonstrate balances on 3-5 body parts with clear body tension
Most students will create smooth transitions between balances and work in unison with a partner
Some students will perform complex counter balances at different levels with exceptional control

Equipment & Resources Required

Gymnastics Mats

Varied set (benches, boxes, wall bars, planks)

Distributed evenly around hall perimeter initially, then arranged around apparatus stations

Alternative: Yoga mats for floor work only, crash mats for advanced balances

Stopwatch

Teacher keeps for timing apparatus setup and balance holds

Alternative: Smartphone timer, wall clock with second hand

Cones

8-12

Mark warm-up playing area boundaries and apparatus station zones

Alternative: Spots, markers, or tape lines on floor

Video Device

1 (tablet or smartphone)

Set up on tripod or stable surface to record skill development section

Alternative: Ask students to use school devices if available

Sun Markers

1 set

Display key vocabulary and success criteria for reference

Alternative: Large flip chart paper and pens

Key Vocabulary

Points

Small contact areas with the floor such as hands, feet, knees, or elbows

Patches

Larger body areas used for balance such as back, stomach, shoulders, or hips

Body Tension

Muscles held tight throughout the body to create controlled, strong positions

Counter Balance

Two or more people working together, using each other's weight to achieve balanced positions impossible alone

Unison

Performing movements at exactly the same time as a partner or group

Sequence

A series of movements or balances linked together smoothly

Transition

The movement between one balance and another, performed smoothly and with control

Apparatus

Gymnastics equipment including mats, benches, boxes, and beams used to develop skills

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

Basic static balances on large body parts (Year 6-7)
Understanding of body shapes and positions
Safe apparatus handling and movement
Basic partner work and synchronisation

Current Skills

Controlled balances on reduced numbers of body parts
Understanding points (small contact areas) vs patches (larger areas)
Partner synchronisation and unison work
Introduction to counter balance concepts
Smooth transitions between balance positions

Next Steps

Advanced counter balance and counter tension work
Complex partner sequences with matching and mirroring
Canon work in small groups
Choreographed apparatus routines

Milestone Indicators

Holds balances on 1-2 body parts with visible tension for 5+ seconds

Transitions between balances without loss of control

Synchronises movements accurately with partner

Uses technical vocabulary confidently in peer assessment

Key Teaching Points

Body tension is the foundation of all balances - every muscle engaged creates stability and control
Reducing contact points (5→4→3→2→1) progressively increases difficulty - build from secure foundation
Points (small areas like toes, hands) vs patches (large areas like back, tummy) offer different balance challenges
Partner synchronisation requires communication, eye contact, and agreed signals - plan before performing
Smooth transitions are achieved through continuous controlled movement, not stopping between balances
Counter balances depend on mutual weight support - partners truly need each other to succeed
Apparatus adds height and challenge but principles remain same - control and tension are essential

Common Misconceptions

MISCONCEPTION: 'Standing on one leg counts as a balance on one body part.' CORRECTION: While technically correct, challenge students to explore more complex options like one-knee balances or brief one-hand supports to truly test their limits.
MISCONCEPTION: 'Balancing on apparatus is completely different to floor work.' CORRECTION: The same principles apply (body tension, clear shapes, controlled transitions) - apparatus simply adds height and narrows the base, increasing difficulty.
MISCONCEPTION: 'Working in unison means starting at the same time.' CORRECTION: Unison means moving AND arriving together - it's about complete synchronisation throughout the movement, not just the beginning.
MISCONCEPTION: 'Counter balance just means two people doing balances near each other at different heights.' CORRECTION: True counter balance requires weight interdependence - both partners' positions are only possible because of the other's support.
MISCONCEPTION: 'Body tension means tensing just the area touching the floor.' CORRECTION: Effective body tension requires whole-body engagement - from pointed toes to engaged core to tight shoulders - every muscle contributes to stability.
MISCONCEPTION: 'More difficult balances (fewer body parts) are always better.' CORRECTION: Quality trumps difficulty - a perfectly controlled, aesthetically beautiful 4-point balance shows more skill than a wobbling 2-point attempt.
MISCONCEPTION: 'Transitions are just moving between balances to save time.' CORRECTION: Transitions are performance elements themselves - smooth, controlled, creative transitions demonstrate advanced skill and should be choreographed deliberately.

SEN Adaptations

ADHD

Short, varied activities maintaining engagement (no section over 15 mins). Clear boundaries marked with cones. Regular active breaks built in (warm-up game extended if needed). Fidget tools available during instruction time. Preferential positioning near teacher. Tasks broken into very small steps. Immediate specific feedback. Movement-based learning emphasised throughout.

dyspraxia

Larger, softer equipment for easier control. Reduce balance complexity - focus on 4-5 body parts longer. Extra practice time before performing. Visual aids showing body positions. Reduce pattern/sequence length. Allow sitting to watch demonstrations for motor planning. Partner with patient, supportive peer. Celebrate effort over perfection. Step-by-step photo cards of balance progressions.

autism spectrum

Clear visual schedule showing lesson structure (pictures of each section). Reduce sensory overload - quieter warm-up option available. Predictable routines - same lesson format weekly. Social stories about working with partners prepared in advance. Quiet zone available if overwhelmed. Clear, concrete language avoiding idioms. Pre-teach key vocabulary before lesson. Visual cue cards for success criteria.

visual impairment

Use brightly coloured mats and apparatus for contrast. Provide verbal descriptions of all demonstrations with step-by-step breakdown. Buddy system with sighted partner for spatial awareness. Tactile cues - teacher guides body into correct positions. Ensure clear pathways free from obstacles. Reduce apparatus complexity - focus on floor and benches only initially.

hearing impairment

All instructions demonstrated visually as well as verbally. Use visual signals for start/stop (hand raising, lights). Written instructions on whiteboard for reference. Face student when speaking for lip-reading. British Sign Language interpreter if available. Ensure student can see teacher at all times. Partner with hearing peer for instruction relay.

physical disability

Wheelchair users: focus on upper body balances, apparatus adapted to wheelchair height, counter balances with seated partner. Reduced mobility: use wall/bench support for balance exploration, longer holds on fewer body parts, adapted apparatus with rails. Prosthetic limb users: ensure secure fitting before activity, modify balance count to accommodate. Seated variations of all activities provided.

speech language communication

Accept non-verbal communication in feedback (thumbs, gestures, pointing to pictures). Provide vocabulary cards with pictures. Model sentence stems for peer feedback: 'I saw you...', 'Next time try...'. Allow demonstration instead of verbal explanation. Reduce verbal task demands - focus on physical performance. Use Makaton or symbols if appropriate. Patient partner who won't dominate verbally.

social emotional mental health

Predictable lesson structure reducing anxiety. Choice offered where safe (choose your partner, choose your balance). Quiet practice space away from large group if needed. Regulate emotions through physical activity - use warm-up to channel energy. Restorative approach to behaviour - calm redirection. Build confidence through achievable challenges. Recognise and praise emotional regulation and positive interactions.

Cross-Curricular Links

English

Technical vocabulary development (points, patches, counter balance, unison, tension, apparatus), speaking and listening during feedback, description and evaluation of performances, following verbal instructions precisely, sequencing language (first, then, finally) for describing sequences

Maths

Counting body parts in balances (1-5 progression), timing holds in seconds, measuring height differences in counter balances, calculating angles of body position, geometry of shapes created (triangles for stable bases, symmetry/asymmetry), problem-solving to find stable balance combinations

Science

Forces and balance - gravity, centre of mass, base of support; lever principles in counter balances; muscular system - isometric contraction during holds; skeletal system - bones supporting body weight; health - benefits of strength and flexibility training

Art and Design

Body shapes as geometric forms, symmetry and asymmetry in balances, aesthetic appreciation of movement quality, composition in partner balances at different levels, line and form created by body positions, creativity in sequence design

Geography

Spatial awareness and orientation, using positional language (above, below, beside, high, low), mapping movement patterns around apparatus, directions and pathways during transitions, scale and proportion in body positioning

PSHE

Teamwork and collaboration in partner work, resilience when balances are challenging, respect during peer assessment, confidence building through achievement, trust in partner during counter balances, self-awareness through self-assessment, celebrating diversity of body types and abilities

Teacher Guidance

Positioning

Stand at corners/edges during active tasks for maximum visibility. Position centrally for demonstrations so all students see clearly. Circulate actively during practice phases - don't stay static. During apparatus work, move between stations constantly, prioritising higher-risk areas.

Observation Focus

Watch for: body tension (tight vs floppy), balance duration (counting seconds), transition quality (smooth vs jerky), partner synchronisation (together vs out of time), apparatus safety (controlled mounting/dismounting), engagement levels (on-task behaviour).

Intervention Points

Step in immediately if: unsafe apparatus use observed, student attempting skill beyond ability, collision risk during warm-up, apparatus handling rules broken, student showing visible distress/anxiety, bullying or negative peer interaction, equipment fault noticed.

Demonstration Notes

Always demonstrate: correct technique AND common mistakes for contrast. Use competent students as demo partners when possible. Exaggerate key points (e.g., very high hips in crab position). Break complex skills into steps. Demonstrate slowly first, then real speed. Position demonstrations centrally with clear sightlines for all.

Verbal Cues

•'Tight body - squeeze every muscle!'
•'Hold it... 3, 2, 1... freeze!'
•'Smooth like butter - control that transition!'
•'Eyes on your partner - synchronise!'
•'Wide base, low position - find your stability!'
•'Pointed toes, straight lines - show me shapes!'
•'That's it! I can SEE the tension!'

Safety Considerations

Space & Surface Requirements

Space Requirements

Minimum 15m x 15m clear hall space for warm-up. Adequate spacing around apparatus stations (minimum 2m between stations). Clear pathways for apparatus carrying. Designated storage areas accessible.

Surface Check

Dry, even, non-slip floor surface essential for balance work. Check for water spills before lesson. Ensure no obstacles in movement areas. Mats laid flat without gaps or overlaps that cause trips.

Equipment Safety

Safety Checks

•Pre-lesson apparatus check: benches stable, no splinters or sharp edges
•Boxes fully assembled with secure fastenings checked
•Mats sufficient thickness for impact absorption (minimum 30mm)
•Wall bars secure with no loose rungs or fixings
•Cones and markers with no sharp edges or cracks

Risk Management

Key Risks

•Falls from apparatus during balance attempts (medium risk)
•Collisions during warm-up game (low-medium risk)
•Wrist/arm strain during prolonged plank holding (low risk)
•Dropping apparatus during setup/pack-away (medium risk)
•Students attempting skills beyond ability on apparatus (medium-high risk)

Risk Mitigation

•Progressive skill building: floor first, then low apparatus, then height
•Clear boundaries and space awareness teaching in warm-up
•Adequate matting under all apparatus, especially dismount areas
•Strict apparatus handling rules enforced with stopwatch challenge
•Teacher actively circulating to apparatus stations, particularly higher equipment
•Differentiation ensuring all students work at appropriate challenge level
•Partner work builds trust and mutual support for safety
•Clear STOP signal established (FREEZE command) for immediate halt

Supervision & Emergency Procedures

Supervision Points

•Position at edge of playing area during warm-up for full visibility
•Circulate actively during skill exploration to give immediate feedback/intervention
•Stand centrally during demonstrations to see all students
•Move between apparatus stations, prioritising higher/more challenging equipment
•During apparatus handling, supervise heavy items and congestion points
•Position near exit during dismissal to supervise departure

Emergency Procedures

STOP activity immediately with FREEZE command. Assess situation calmly. For minor injuries: appropriate first aid, rest, ice if needed. For significant injuries: send reliable student for first aider/SLT, keep injured student still and calm, clear area of other students, complete accident report. Emergency contacts and first aid kit location known before lesson starts.