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Big Question

How can two people work together to create balances that would be impossible alone?

Learning Objectives

  • To evaluate the work of others using correct technical language
  • To hold a range of symmetrical and asymmetrical counter balances at different levels with weight on a variety of points and patches
  • To demonstrate effective use of push and pull forces in partner balancing

Key Outcomes

  • Students will perform at least 3 different counter balances showing control and stability
  • Students will use technical vocabulary when providing feedback to peers
  • Students will demonstrate understanding of weight distribution and forces in partner work

Equipment & Resources Required

Gymnastics Mats
Varied (benches, boxes, wall bars, A-frames)

Distributed around hall with adequate spacing (2m between mats)

Alternative: Yoga mats, crash mats, or carpeted area for practice

Stopwatch
1

Kept with teacher for timing activities

Alternative: Smartphone timer, wall clock with second hand

Dish Cones
10

Arranged in circle (8m diameter) for warm-up game

Alternative: Spot markers, small boxes, or bottles

Balls
20-25

Placed in central stash within cone circle

Alternative: Small balls, quoits, or fabric squares

Video Device
1 (tablet or phone)

Charged and ready, positioned for good viewing angles

Alternative: Students' phones (if school policy allows), no recording if unavailable

Key Vocabulary

Counter balance

A balance where two or more people use each other's body weight to maintain stability, typically by pushing or pulling away from each other

Symmetrical

When both sides of a shape or balance are identical or mirror images of each other

Asymmetrical

When the two sides of a shape or balance are different from each other

Push forces

Forces that move away from the body or partner, creating stability through resistance

Pull forces

Forces that draw towards the body or partner, creating tension and stability

Body tension

Tightness and engagement of muscles throughout the body to maintain control and stability

Stable base

A wide, secure foundation that supports balance, often using multiple points of contact

Extension

Stretching and lengthening the body to create clear, aesthetic lines in gymnastics

Control

The ability to move deliberately and hold positions with precision and stability

Transition

The smooth movement from one balance or position to another without breaks or falls

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Basic individual balancing on different body parts
  • Understanding of body tension and control
  • Experience working cooperatively with partners
  • Knowledge of symmetrical and asymmetrical shapes

Current Skills

  • Counter balancing using push and pull forces
  • Evaluating performances using technical language
  • Creating and linking balances in sequences
  • Weight distribution between partners

Next Steps

  • Complex counter-tension balances
  • Group balancing with 3+ people
  • Dynamic counter balances with movement
  • Choreographing gymnastics sequences with apparatus

Milestone Indicators

1
Maintains stable counter balances for minimum 3 seconds
2
Uses at least 5 technical terms correctly when evaluating
3
Demonstrates smooth transitions between balances
4
Shows trust and communication with partner throughout

Key Teaching Points

  • Counter balances REQUIRE equal and opposite forces from both partners - if one person stops pushing/pulling, the balance collapses. Emphasise 50/50 weight distribution and communication.
  • Straight, LOCKED arms are non-negotiable in pull balances - bent arms will collapse. Use verbal cue: 'Arms are steel rods that cannot bend!' and constantly check elbow position.
  • Body tension is the foundation of ALL balances - tight core, engaged limbs, pointed toes. Contrast demonstration: floppy vs tight body. Cue: 'Every muscle switched on!'
  • Asymmetrical means the two sides are DIFFERENT - this is commonly misunderstood. Constantly check shapes: 'Show me your two sides are different!' Not mirror images.
  • Technical vocabulary must be modelled and reinforced constantly: stable base, body tension, extension, control, push/pull forces, symmetrical/asymmetrical, transitions, levels. Don't accept 'good' - demand 'good stable base'.
  • Partner sizing is critical for safety - similar height and weight only for counter balances. Check all pairs before starting. Mismatched pairs create injury risk through unequal force distribution.
  • Apparatus safety rules are non-negotiable: walk always, paired carrying, correct lifting (bend knees, straight back), no touching until permission. Enforce consistently - safety culture starts with teacher expectations.

Common Misconceptions

  • MISCONCEPTION: 'Counter balancing is just holding hands and leaning back.' REALITY: Counter balancing involves sophisticated weight distribution, use of specific forces (push/pull), multiple points of contact, and can be achieved in numerous positions beyond the basic sitting hand-hold. CORRECTION: Demonstrate variety - back-to-back, side-by-side, different levels, using feet, shoulders, etc. Explain the physics of equal and opposite forces.
  • MISCONCEPTION: 'Asymmetrical means random or messy.' REALITY: Asymmetrical means controlled, deliberate difference between two sides - it requires as much precision as symmetrical shapes, just with intentional variation. CORRECTION: Show clear asymmetrical balance with explanation: 'Left arm straight up with tension, right arm down by side with tension - controlled and different.' Contrast with genuinely messy position.
  • MISCONCEPTION: 'Stronger students can counter balance with weaker ones if they just push/pull harder.' REALITY: Counter balancing requires equal force from both partners - size/strength mismatches create injury risk as one partner compensates with poor technique. CORRECTION: Demonstrate with mismatched pair showing struggle and risk, then matched pair showing ease and safety. Explain weight and force must be balanced.
  • MISCONCEPTION: 'Good feedback is saying lots of nice things.' REALITY: Effective feedback is SPECIFIC, uses technical language, identifies precise elements, and provides actionable improvement suggestions. Niceness without substance doesn't help learning. CORRECTION: Contrast vague 'that was good!' with specific 'Your stable base was excellent - wide stance and low centre of gravity. To improve, increase body tension in your arms for better extension.' Show the difference.
  • MISCONCEPTION: 'You need to be flexible to do gymnastics balances.' REALITY: Balance is primarily about body tension, core strength, and weight distribution - flexibility helps but isn't essential. Students with limited flexibility can excel at balances. CORRECTION: Demonstrate strong, controlled balance with limited range of movement vs unstable balance with high flexibility but no tension. Emphasise strength and control over flexibility.
  • MISCONCEPTION: 'Transitions are just moving between balances - they don't matter.' REALITY: Smooth transitions demonstrate advanced control, require maintained body tension, and are what separate basic balancing from skilled sequences. They are AS important as the balances themselves. CORRECTION: Show two sequences: one with collapse between balances, one with smooth flowing transitions. Highlight the skill difference. Explain that transitions show true mastery.

SEN Adaptations

ADHD
  • Provide short, focused activity bursts (3-5 minute tasks) with frequent changes; use highly engaging, active tasks (games, challenges, timed activities); give specific roles and responsibilities: 'You're the timekeeper for your pair'; allow movement breaks between static balancing activities; use visual and verbal instructions together; provide immediate, frequent feedback during tasks; implement reward systems for sustained focus (stickers, responsibilities); minimise waiting time: ensure always active or have specific observation task; position near teacher for redirecting when needed; use physical activity as focus tool: brief active burst before concentration required; break complex sequences into smaller steps with checks; provide fidget tools during observation phases if helpful; celebrate effort and improvement, not just perfection
dyspraxia
  • Use larger, easier-to-grip equipment for better control; provide additional practice time for motor skill acquisition; break down complex balances into smaller, sequential steps with checking at each stage; use wall/apparatus support to reduce balance complexity initially; demonstrate multiple times from different angles for motor planning; provide verbal cues for body positioning: 'now bend your right knee'; allow student to verbalize actions before performing (aids motor planning); reduce speed expectations: slow, controlled movements emphasised for everyone; use visual markers/spots for hand/foot placement; pair with patient, supportive partner; focus on quality over quantity: 3 excellent balances better than 10 rushed; provide alternatives to fine motor tasks (wrist grip): can use rope loops or equipment for easier grip; celebrate personal progress not peer comparison; build confidence through achievable, scaffolded challenges; allow extra time for processing movement instructions
autism spectrum
  • Provide clear, predictable lesson structure: visual schedule showing each section and timings; prepare student in advance: 'Next we're doing partner work for 8 minutes'; use visual cues and timers for transitions between activities; offer quiet space option if sensory overload occurs; allow student to observe first before participating in new balances; provide specific, concrete instructions avoiding abstract language; use special interest to engage: 'Can you create a balance that looks like [their interest]?'; maintain consistent routines for apparatus setup/pack-away; pair with understanding, familiar partner; reduce performance anxiety: allow private demonstration to teacher only if needed; use visual feedback charts rather than verbal only; prepare for physical contact in partner work - practice with TA first if needed; celebrate small successes frequently with specific praise
visual impairment
  • Use bright, high-contrast coloured equipment for better visibility (fluorescent bean bags, bright cones); provide detailed verbal descriptions of all demonstrations with specific body part positioning ('left arm straight up, right arm down by your side'); implement buddy system with sighted partner for navigation and spatial awareness; use tactile demonstrations - allow student to feel partner's positions; provide physical guidance for positioning when safe to do so; ensure all apparatus edges clearly marked with high-contrast tape; position student near front for demonstrations with unobstructed view; describe video content verbally for class analysis; allow extra time to process visual information and position body; use voice cues constantly: 'you're balanced, hold it there'
hearing impairment
  • Ensure student can see teacher's face clearly for lip-reading during all instructions (good lighting, no obstruction); use visual demonstrations extensively - show don't just tell; provide written instruction cards with key points and diagrams of balances; use clear hand signals for common instructions (thumbs up = good, stop hand = freeze, etc.); implement visual timer (countdown clock) instead of verbal time calls; assign buddy to tap shoulder for attention when instructions being given; use visual cues for transitions (hold up card saying 'SWAP ROLES'); ensure video footage available for replay with subtitles/visual analysis; check understanding through demonstration not just verbal response; minimise background noise during instruction time
physical disability
  • Adapt all balances to seated or supported positions as needed - wheelchair users can engage in upper body counter balances; use additional support equipment: wedges, bolsters, wall support, resistance bands for assisted balancing; focus on balance points accessible to student (arms, core, adapted positions); modify apparatus work: lower level benches, additional mats for support, personal apparatus arrangement; allow use of mobility aids as part of balance creation; provide physical support from TA or peer buddy when needed; adapt warm-up: seated or modified movement patterns maintaining same muscle groups; focus on relative improvement and personal challenge rather than peer comparison; ensure all feedback and observation roles fully accessible; celebrate adaptations as creative problem-solving

Cross-Curricular Links

English

Technical vocabulary development and accurate use in context, verbal communication with partners during balances, providing structured peer feedback (2 stars and wish), listening skills when receiving feedback, descriptive language when evaluating performances, following and giving precise instructions for balance creation

Maths

Geometry: symmetrical and asymmetrical shapes, angles in body positions, spatial awareness and coordinates when positioning on apparatus, time measurement in balance holds (seconds), counting and sequencing in balance creation, estimating and measuring distances between apparatus stations, fractions and proportions in weight distribution between partners (50/50 split)

Science

Forces and motion: push and pull forces creating counter balance, Newton's third law (equal and opposite forces), centre of gravity and stability, levers and fulcrums in the body, muscle contraction types (concentric, eccentric, isometric) during balance holds, cardiovascular response to exercise during warm-up and apparatus work

Design & Technology

Structure and stability principles: wide base, low centre of gravity, creating stable designs, problem-solving when balances don't work, testing and refining ideas (balance sequences), evaluating effectiveness of designs (do our balances work?), understanding how different apparatus structures support weight

PSHE

Trust building with partners during counter balancing, communication skills development (verbal and non-verbal), resilience when balances fail and trying again, managing emotions under performance pressure, giving and receiving constructive feedback respectfully, teamwork and cooperation throughout, recognising personal strengths and areas for development, growth mindset when facing challenging balances

Teacher Guidance

Positioning

Position at hall corner/edge during warm-up for visibility of all teams in circle; move to central demonstration area for skill introduction with all students facing you; during partner exploration, circulate constantly among pairs covering all areas of hall every 60 seconds; for apparatus work, continuous circulation between stations - never remain static, position to see multiple stations simultaneously; during performances, position to observe both performers and audience; for cool-down, return to central position for whole-class activities

Observation Focus

Watch for: correct wrist grip in pull balances (thumbs wrapped, not finger-linking), straight locked arms during rising counter balances (bent arms = collapse risk), equal lean/push from both partners (50/50 weight distribution), body tension maintenance (tight core, engaged limbs vs floppy positions), control in transitions (slow, deliberate vs rushed, uncontrolled), asymmetrical vs symmetrical shape understanding, use of different levels on apparatus (floor, medium, high), safe apparatus use (controlled mounting/dismounting, stable positions), partner communication quality (verbal and non-verbal), technical vocabulary accuracy in feedback, signs of fatigue (red faces, heavy breathing, deteriorating technique), engagement and focus levels throughout

Intervention Points

Intervene immediately when: any unsafe practice observed (uncontrolled balances, unsafe apparatus use, solo carrying), poor technique causing injury risk (bent arms in pull balance, poor wrist position, inadequate body tension), partner size mismatch creating imbalance/risk, students showing signs of distress or conflict, fatigue affecting control (stop and rest), apparatus rules being broken (running, solo carrying, incorrect lifting), any collision or near-miss incident, students off-task to extent of safety risk; Intervene supportively when: students stuck and not progressing (provide prompt/idea), feedback is vague or inappropriate (scaffold technical language), technique is incorrect but not immediately dangerous (correct and re-demonstrate), creativity lacking (suggest variations to explore), positive behaviour/excellent work to highlight to class (amplify success)

Demonstration Notes

Always demonstrate with a competent student volunteer, not alone - models partnership element; exaggerate key points for visibility: lock elbows completely, show extreme body tension, emphasise equal lean-back; demonstrate common mistakes deliberately then show correction: bent arms leading to collapse, then straight arms succeeding; use slow-motion demonstration for complex skills: show rising counter balance in stages (sit, grip, lean, rise, hold); position demonstration centrally where all students have clear view; ensure volunteer is similar size to you for realistic counter balance demonstration; repeat demonstration from different angles if needed; use positive demonstration examples from students during activity: 'Everyone look at this pair - perfect asymmetrical balance!'; demonstrate safety-critical elements multiple times: wrist grip, straight arms, apparatus rules; for feedback demonstration, model specific technical language use; show differentiation: 'If this is too hard, try this version; if easy, challenge yourself this way'; demonstrate transitions by linking two balances smoothly; always demonstrate on appropriate surface (mat) with safety considerations visible

Verbal Cues
  • •'Soft, controlled movement - slow it down!'
  • •'Lock those elbows - straight arms!'
  • •'Push through your feet, lean back TOGETHER!'
  • •'Body tension! Tight core, pointed toes!'
  • •'Communicate with your partner - use your voices!'
  • •'Hold it... 3... 2... 1... and breathe!'
  • •'Asymmetrical means DIFFERENT sides - show me!'
  • •'Find a different LEVEL - can you go higher or lower?'
  • •'Smooth transition - don't collapse between balances!'
  • •'Use technical words - stable base, extension, push forces!'
  • •'Trust your partner - they've got you!'
  • •'FREEZE! Show me that balance... hold... perfect!'

Safety Considerations

Space & Surface Requirements

Space Requirements

Large indoor hall, minimum 15m x 20m clear space for warm-up and floor work; additional perimeter space for apparatus setup (total hall size approximately 20m x 30m); adequate ceiling height for apparatus work (minimum 4m)

Surface Check

Clean, dry, non-slip sports hall floor free from hazards; check for water/moisture particularly near doors; ensure no equipment stored in activity area; gymnastics mats in good condition with no tears, adequate padding, and non-slip underside

Equipment Safety

Safety Checks
  • •Gymnastics mats inspected before use - no tears, adequate padding, clean, positioned with no gaps or overlaps
  • •Apparatus fully checked before deployment - benches stable with no loose parts, boxes structurally sound, wall bars secure with no loose rungs, all equipment clean and free from splinters/sharp edges
  • •Bean bags and cones intact with no damage that could cause injury
  • •Stopwatch and video device positioned safely, not in activity area
  • •All apparatus positioned with adequate safety margins - minimum 2m between stations, mats correctly placed under/around all apparatus
  • •Regular equipment checks scheduled - report any damage immediately, remove faulty equipment from use

Risk Management

Key Risks
  • •Falls from apparatus or during partner balances - potential for impact injuries, sprains, fractures
  • •Collisions between students during warm-up game - particularly during enthusiastic 'stealing' phase
  • •Muscle strains from inadequate warm-up or attempting skills beyond capability
  • •Wrist injuries during crab walking or hand balancing without proper technique
  • •Partner work injuries from mismatched sizing, poor communication, or trust issues
  • •Equipment-related injuries from incorrect lifting technique, solo carrying, or faulty apparatus
  • •Trapped fingers during apparatus setup/pack-away
  • •Overexertion during high-energy activities without adequate recovery
Risk Mitigation
  • •Thorough dynamic warm-up focusing on wrists, shoulders, core muscles - minimum 8 minutes before partner work
  • •Progressive skill building - master floor balances before apparatus work, simple before complex
  • •Strict partner sizing protocol - only similar-sized students work together for counter balances
  • •Clear boundaries established for all activities with adequate spacing between working areas (minimum 2m)
  • •Enforce controlled movement throughout - walking pace during transitions, slow deliberate balances
  • •Comprehensive apparatus rules taught and enforced: walk always, paired carrying, correct lifting technique (bend knees, straight back), no touching until permission given, queue systems for mats
  • •Constant active supervision with teacher positioning for maximum visibility of all areas
  • •Step-by-step skill instruction with demonstrations before student attempts
  • •Mandatory rest periods if fatigue observed - stop activity if control deteriorates
  • •Differentiation strategies ensure all students work at appropriate challenge level - support options available

Supervision & Emergency Procedures

Supervision Points
  • •Teacher positioned centrally during floor work for 360-degree visibility of all pairs
  • •During apparatus section, continuous circulation between stations - never static position
  • •High-activity monitoring during warm-up game - watch for collisions, position near central bean bag stash
  • •Close supervision during first attempts at each new counter balance technique
  • •Video recording should not compromise supervision - position device and return to active supervision role
  • •Monitor specific risk areas: students mounting/dismounting apparatus, partner balances at height, fatigue levels affecting control
  • •Position for quick intervention if unsafe practice observed - never too far from any working pair/group
  • •Scan technique as well as safety - poor technique is a safety risk (bent arms in pull balance = collapse risk)
Emergency Procedures

STOP command immediately freezes all activity - students trained to freeze instantly and await instruction; assess situation quickly and decisively; for minor injuries: appropriate first aid, sit out and observe if needed, incident recorded; for significant injuries: designated first aider called immediately (identify at lesson start), area cleared, other students moved to safe activity with support staff/responsible student leaders, emergency services if required, parents contacted, full accident report completed; evacuation procedure: clear route to exits, account for all students, follow school emergency protocol; all staff know location of first aid kit and emergency contacts