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Big Question

How can we use canon and formation changes to create powerful group performances that tell a story?

Learning Objectives

  • To work collaboratively in groups showing excellent cooperation skills and provide constructive peer feedback
  • To use poetry as stimulus for creative and imaginative dance movements
  • To demonstrate understanding of canon and formation changes when creating and performing group sections

Key Outcomes

  • Students will perform a polished 32-count group dance section incorporating canon and formation changes
  • Students will give meaningful feedback using dance vocabulary
  • Students will demonstrate excellent teamwork and cooperation skills

Equipment & Resources Required

Tunnel Systems
1

Position for clear sound throughout space

Alternative: Portable speaker, laptop with speakers

Music Tracks
2-3 tracks

Have tracks ready to play, test volume levels

Alternative: Northmen Viking Saga soundtrack, Vikings Attack soundtrack

Cones
20-30

Use to mark formation positions if needed

Alternative: Chalk marks, tape marks on floor

Score Sheets
8-10

Simple two stars and a wish format

Alternative: Whiteboard, verbal feedback only

Digital Cameras
1

For recording final performances

Alternative: Phone camera, video recorder

Key Vocabulary

Canon

When dancers perform the same movement but start at different times, creating a ripple effect

Formation

The spatial arrangement of dancers - lines, circles, triangles, diagonals

Transition

The movement or method used to change from one section or formation to another

Motif

A short sequence of movements that can be repeated or developed

Levels

The height at which movements are performed - high, medium, low

Flow

How smoothly movements connect together without stopping or jerky changes

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Understanding of basic dance movements and rhythms
  • Experience working in pairs and small groups
  • Basic knowledge of formation work
  • Introduction to canon technique

Current Skills

  • Creating extended group dance sequences
  • Implementing canon effectively in group work
  • Making smooth formation changes
  • Providing constructive peer feedback
  • Performing with confidence to an audience

Next Steps

  • Performing complete dance pieces to audiences
  • Creating original choreography with complex structures
  • Teaching dance skills to younger students
  • Exploring different dance styles and cultural contexts

Milestone Indicators

1
Groups can perform 32 counts with clear structure
2
Canon is used purposefully to create effect
3
Formation changes are smooth and well-timed
4
Students give specific, helpful feedback
5
Performance shows confidence and expression

Key Teaching Points

  • Canon timing must be consistent - encourage groups to count out loud together
  • Formation changes should enhance the story, not just happen for the sake of it
  • Quality peer feedback uses specific language and focuses on the learning objectives
  • Performance energy should be maintained throughout all sections of the complete dance
  • Cooperation is as important as technical skill in creating successful group work
  • Transitions between sections need to be smooth and in time with the music
  • Finishing positions should use variety in levels and directions for visual impact

Common Misconceptions

  • Canon means everyone doing different movements - actually it's the same movement at different times
  • Formation changes can happen anywhere - they should be planned and purposeful
  • Feedback should always be positive - constructive suggestions help groups improve
  • The group section is separate from the rest - it should fit seamlessly into the complete performance
  • Only dance ability matters - cooperation and communication skills are equally important

SEN Adaptations

ADHD
  • Shorter development periods, regular movement breaks, clear boundaries and expectations
dyspraxia
  • Simplified formation changes, extra practice time, buddy system for support
autism spectrum
  • Clear structure with visual timetable, quiet spaces available, consistent routine and expectations
visual impairment
  • Use clear verbal descriptions of formations, tactile guidance for positioning, audio cues for timing
hearing impairment
  • Visual demonstrations of all movements, hand signals for timing, vibrations through floor for music
physical disability
  • Adapt movements for seated performance, modified formations, peer support systems

Cross-Curricular Links

English

Using poetry as stimulus for creative expression, developing vocabulary through dance terms

Maths

Counting beats and measures, spatial awareness through formation geometry

Music

Understanding rhythm, tempo, and musical structure through dance

PSHE

Cooperation skills, giving and receiving feedback, building confidence through performance

Teacher Guidance

Positioning

Move between groups during development, central position for whole-class performances

Observation Focus

Group cooperation, canon timing accuracy, formation change smoothness, peer feedback quality

Intervention Points

Step in if groups struggling with timing, conflicts arising, or unsafe movement

Demonstration Notes

Use small groups to demonstrate canon effects, show formation possibilities, model quality feedback

Verbal Cues
  • •'Count together - 5, 6, 7, 8!'
  • •'Remember your canon timing!'
  • •'Make those formation changes smooth and purposeful!'

Safety Considerations

Space & Surface Requirements

Space Requirements

Large indoor space minimum 8m x 10m, or school hall

Surface Check

Clean, non-slip floor suitable for barefoot or soft-soled dancing

Equipment Safety

Safety Checks
  • •Music system positioned safely away from dance space
  • •Cables secured to prevent tripping
  • •Camera equipment stable and out of performance area

Risk Management

Key Risks
  • •Collisions during travelling and formation changes
  • •Slips during quick movements
  • •Overexertion during extended performance
Risk Mitigation
  • •Clear boundaries established for each group's space
  • •Progressive build-up of intensity throughout lesson
  • •Adequate rest periods between performances
  • •Safe formation change practices

Supervision & Emergency Procedures

Supervision Points
  • •Position for visibility of all groups during development
  • •Move between groups to monitor cooperation and technique
  • •Ensure safe audience positioning during performances
Emergency Procedures

Stop music immediately, assess situation, provide appropriate first aid or support