Start Planning Better PE Lessons

Sign up free to access 3 complete units per month, unlimited activity library, and your personal locker.

What's included

  • Complete activity instructions & timing
  • Teaching tips & differentiation strategies
  • Assessment guidance & success criteria
  • Downloadable lessons & units
No credit card
Free forever
Big Question

How can we use chance choreography to create a structured group dance that tells the story of the Victorian era?

Learning Objectives

  • To work collaboratively in groups of 4, demonstrating effective cooperation and communication skills
  • To use chance choreography techniques creatively to develop a 32 or 64 count group dance sequence
  • To demonstrate understanding of canon, unison, mirror image, and changes in formation, level and direction

Key Outcomes

  • Students will work effectively in groups, showing good cooperation and communication skills
  • Students will create original dance movements using chance choreography methods
  • Students will perform group sequences incorporating multiple choreographic devices and Victorian-themed actions

Equipment & Resources Required

Music Player
1

Position for clear audio throughout dance space

Alternative: Bluetooth speaker, tablet with speakers

Worksheets
8 (1 per group)

Pre-prepared with numbered lists and space for planning

Alternative: Laminated sheets, tablets with digital worksheets

Pencils
8 (1 per group)

Sharp pencils ready for quick distribution

Alternative: Dry-wipe pens if using laminated sheets

Dice
8 (1 per group)

Large enough for students to read easily

Alternative: Digital dice app, number cards 1-6

Victorian-Themed Music
1

Curated playlist ready with appropriate tracks for warm-up and performance

Alternative: Steampunk music, classical waltz, period drama soundtracks

Sun Markers
1 set

Clear visibility from all areas of dance space

Alternative: Flip chart, digital display

Key Vocabulary

Chance Choreography

A method of creating dance using random selection (like dice) to determine movements, formations or timing

Canon

When dancers perform the same movement but at different times, creating a wave or echo effect

Unison

When all dancers perform exactly the same movement at exactly the same time

Mirror Image

When dancers face each other and perform opposite movements, like looking in a mirror

Formation

The shape or pattern that dancers create on the floor (lines, circles, triangles, etc.)

Choreographic Device

A technique used to develop and vary movement in dance (level, direction, pathway, etc.)

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Basic dance movements and travelling actions
  • Understanding of simple formations (circles, lines)
  • Experience working in pairs for dance sequences

Current Skills

  • Collaborative group work and communication
  • Chance choreography techniques
  • Complex formation changes and choreographic devices

Next Steps

  • Extended group choreography with narrative structure
  • Leading and teaching choreography to others
  • Combining multiple dance styles and themes

Milestone Indicators

1
Consistently works well in group settings
2
Uses chance methods to generate creative movement ideas
3
Demonstrates clear understanding of choreographic devices

Key Teaching Points

  • Chance choreography uses random selection to inspire creativity while maintaining structure
  • Victorian character actions should be interpreted through dance movement rather than literal mime
  • Choreographic devices modify and enhance basic actions to create more interesting sequences
  • Group collaboration requires listening, compromising, and building on each other's ideas
  • 8-count phrases provide structure that helps organise creative movement into danceable sequences
  • Performance sharing builds confidence and allows learning from observing others' creative solutions

Common Misconceptions

  • That chance choreography removes creativity (actually it provides creative constraints that inspire innovation)
  • That Victorian actions must be historically accurate rather than dance interpretations
  • That choreographic devices must be complex (simple applications can be very effective)
  • That all group members must do identical movements (unison is just one option among many)
  • That 32 or 64 counts must be exactly right (structure is more important than precise counting)
  • That work-in-progress sharing requires polished performances (sharing process and ideas is the goal)

SEN Adaptations

ADHD
  • Regular movement breaks, clear boundaries for working spaces, opportunities for leadership and responsibility
dyspraxia
  • Slower-paced instruction, simplified choreographic devices, extra support with coordination challenges, partner support system
autism spectrum
  • Clear structure and routine, visual schedule of lesson activities, quiet space available if needed, consistent group membership
visual impairment
  • Clear verbal descriptions of all movements, tactile guidance for formation work, audio cues for counting and timing
hearing impairment
  • Visual demonstrations of all movements, written instructions on worksheets, visual counting with hand signals
physical disability
  • Adapted movements using available mobility, seated versions of dance actions, alternative roles in group work

Cross-Curricular Links

English

Vocabulary development with adjectives and adverbs, speaking and listening through group discussions and reflection

Maths

Counting beats and phrases, understanding numerical sequences and structure, probability concepts with dice rolling

History

Victorian era context, understanding historical periods through movement and character exploration

PSHE

Collaboration skills, leadership development, building confidence through performance, respectful audience behaviour

Teacher Guidance

Positioning

Move actively between groups during creation phases, position centrally for whole-class instruction and demonstrations

Observation Focus

Group collaboration dynamics, creative problem-solving, application of choreographic devices, participation levels

Intervention Points

When groups struggle with difficult combinations, when conflicts arise over creative decisions, when students are not participating fully

Demonstration Notes

Use exaggerated movement quality to show Victorian character differences, demonstrate choreographic devices with small groups of students, show enthusiasm for creative solutions

Verbal Cues
  • •'Count together - 1, 2, 3, 4, 5, 6, 7, 8!'
  • •'Show me your Victorian character in the way you move!'
  • •'How can you make that choreographic device clearer?'
  • •'What would Queen Victoria's movement quality be like?'

Safety Considerations

Space & Surface Requirements

Space Requirements

Minimum 12m x 8m clear space for 8 groups of 4 to work simultaneously without interference

Surface Check

Even, non-slip surface suitable for dance activities, free from obstacles and hazards

Equipment Safety

Safety Checks
  • •Dice large enough to prevent choking hazard and roll safely
  • •Pencils distributed carefully to prevent accidents
  • •Worksheets managed to avoid slipping hazards on floor

Risk Management

Key Risks
  • •Collisions between groups during simultaneous movement creation
  • •Overexertion during energetic Victorian character movements
  • •Slips or falls during formation changes and group work
Risk Mitigation
  • •Clear boundaries established between group working spaces
  • •Regular reminders about spatial awareness during movement
  • •Gradual warm-up and appropriate cool-down procedures

Supervision & Emergency Procedures

Supervision Points
  • •Position to observe all groups simultaneously during creative work
  • •Monitor group dynamics to prevent conflicts or exclusion
  • •Watch for signs of fatigue or overexertion during sequence development
Emergency Procedures

Stop activity immediately if injury occurs, assess and provide appropriate first aid, ensure other students are safely occupied