Mastering Timing and Synchronisation in Partner and Group Gymnastics
•Year 5
•Gymnastics
•Positioned at start of each group line
Alternative: Beach balls, medicine balls, or playground balls
Available for collection by students during apparatus setup
Alternative: Crash mats or exercise mats
For teacher use during apparatus setup challenge
Alternative: Phone timer or wall clock with second hand
For recording sequences to support assessment
Alternative: Tablet, phone, or camera
Performing movements at exactly the same time as your partner
Performing movements one after the other in sequence, like an echo
Movements that mirror each other or are identical on both sides
Movements that are different or contrasting between partners
Different body parts or contact points used for balancing
The precise coordination of when movements start and finish
Understanding where pupils are coming from and where they're going
Counting for timing, understanding of sequences and patterns, symmetry and asymmetry concepts
Forces and balance, body systems during exercise, understanding of coordination
Symmetry and asymmetry in visual design, composition and sequence creation
Timing and rhythm concepts, unison and canon as musical terms
Central position with clear view of all groups, move between apparatus stations during practical work
Partner timing and coordination, safe apparatus use, understanding of unison vs canon concepts
Step in immediately for unsafe apparatus use, support pairs struggling with timing concepts
Use clear, exaggerated timing for unison/canon demonstrations, emphasise the difference with counting
Large hall or gymnasium, minimum 15m x 20m clear space
Non-slip floor surface, clean and dry throughout lesson
Stop signal established, first aid kit accessible, clear evacuation route from hall
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