Flight Control & Composition
•Year 8
•Gymnastics
•Pre-assign apparatus stations for groups of 3-4 students
Alternative: Sturdy benches or low platforms if dedicated apparatus unavailable
Distributed in floor work area with adequate spacing (3m between stations)
Alternative: Rolled mats, foam wedges, or low boxes (30-40cm height)
Teacher controlled for timing apparatus setup challenges
Alternative: Smartphone timer or wall clock with second hand
Display key technical terms for reference during peer evaluation
Alternative: Printed cards with technical vocabulary
Moving with smooth, controlled, elegant motion without jerky or rushed movements
The linking movements between skills that connect one element smoothly to the next
The directional routes travelled through space - straight, curved, zigzag, or circular
The variations in speed, energy, force and level that make gymnastics sequences interesting
A performance where the same movement is performed by different people at staggered times, like a Mexican wave
A turning technique where you step forward with a straight leg and sweep the opposite arm across your body to lead the turn
A jump where hands and feet push off simultaneously with a tucked or arched body position in flight
A body position with legs straight and together, bent at the hips with upper body reaching toward legs
A body position with legs spread wide apart, either in front-to-back split or side-to-side split
The specific vocabulary used in gymnastics to describe skills, body positions and performance qualities accurately
Understanding where pupils are coming from and where they're going
Technical vocabulary development - precise use of subject-specific terminology (graceful, dynamics, canon, pike, straddle). Verbal evaluation skills - articulating observations clearly and constructively. Descriptive language - explaining movement quality using appropriate adjectives. Listening skills - following complex multi-step instructions, responding to peer feedback.
Angles in turns - 90-degree step-and-sweep rotations, 180-degree pathway changes. Timing in canon - calculating stagger intervals, measuring sequence duration. Spatial reasoning - planning pathways and formations, calculating safe spacing between apparatus stations. Symmetry and asymmetry in body shapes and group formations.
Forces in gymnastics - push and pull forces in jumps, gravity and flight, friction between hands/feet and apparatus surfaces. Body systems during exercise - cardiovascular response to warm-up and cool-down, muscular contractions in jumps, breathing rate changes. Levers in the body - application of effort, load, and fulcrum during step-and-sweep turns.
Performance skills - starting and finishing positions, performing with intention and focus, audience awareness. Canon technique - understanding staggered timing used in both drama and gymnastics. Dynamics - exploring speed, energy, and level variations in movement. Evaluation - giving and receiving constructive feedback on performance quality.
Collaborative working - sharing ideas respectfully, inclusive group dynamics, valuing all contributions. Resilience and growth mindset - responding constructively to feedback, persevering with difficult skills, appropriate risk-taking. Communication skills - giving constructive feedback, using appropriate technical language, non-verbal communication in grouping game. Self-awareness - honest self-assessment, recognising own strengths and areas for development.
Central position during whole-class instruction for equal sight-lines to all students. During group work, circulate constantly with priority observation on apparatus and advanced skills. Position at angles to view multiple groups simultaneously. Stand outside dance area when groups performing to avoid blocking peer observers' view.
Watch for: 1) Technical accuracy - straight legs in pike, 90-degree turns, simultaneous push-off in cat springs; 2) Safety compliance - controlled landings, appropriate apparatus use, spatial awareness maintained; 3) Transition quality - smooth flow versus stop-start between elements; 4) Peer interaction - quality of technical feedback, inclusive collaboration; 5) Dynamic variation - visible changes in speed, level, energy across sequences.
Step in immediately if: unsafe practice observed (straight-leg landings, unstable apparatus); students attempting skills beyond capability; peer feedback becoming negative rather than constructive; group dynamics excluding members; fatigue affecting technique; any sign of distress or injury. Pause activity, address issue, reinforce expectations, resume when safe.
Demonstrate: Use student demonstration wherever possible to build confidence and provide peer models. When demonstrating yourself, use exaggerated movements to ensure visibility from all angles. Break complex skills into component parts - show slowly first, then full speed. Use contrasting demonstrations (good technique vs common mistake) to highlight key points. For step-and-sweep turn, physically walk through pointing out straight leg, arm sweep to shoulder, arm leading turn. For cat spring, show side-on view for simultaneous push-off visibility. Narrate demonstrations with technical vocabulary to reinforce terminology.
Minimum 15m x 20m hall space clear of obstacles. Apparatus work requires 5-metre spacing between stations. Floor work area minimum 10m x 10m for group sequences.
Dry, even, non-slip surface essential. Check for splinters on wooden apparatus. Ensure all mats lie flat with no curled edges or gaps between mats.
Immediate stop on signal. Assess injury severity. If minor - first aid and rest. If significant - secure scene, send reliable student for first aider/SLT, provide appropriate care, complete accident report. Class managed by TA or neighbouring teacher if extended first aid needed.
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