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Big Question

How can we work together to create gymnastic sequences that demonstrate both unity and contrast?

Learning Objectives

  • Work as a group to demonstrate fluent routines involving mirroring and contrasts
  • Communicate and negotiate effectively to agree sequences as a group
  • Evaluate others' work using correct technical gymnastics language

Key Outcomes

  • Students will create and perform group routines showing clear mirroring and contrasting elements
  • Students will demonstrate effective teamwork and communication skills
  • Students will provide constructive feedback using appropriate gymnastics terminology

Equipment & Resources Required

Gymnastics Mats
6 pieces (benches, boxes, wall bars)

Spread around hall with clear pathways between

Alternative: Yoga mats or exercise mats

Stopwatch
1

For timing activities and apparatus setup

Alternative: Phone timer, wall clock

Video Device
1 per student

For recording peer assessment sessions

Alternative: Digital camera

Cones
12

To mark group working areas and apparatus zones

Alternative: Bean bags, hoops

Key Vocabulary

Mirroring

Performing the same movements at the same time as your partner or group

Contrasting

Performing different movements, shapes or using different levels to create visual opposition

Sequence

A series of gymnastic movements performed in a specific order

Transition

The smooth movement from one gymnastic skill to another

Formation

The arrangement of group members in space

Pathway

The route taken when travelling through space

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Can perform basic gymnastic shapes and balances
  • Understands concepts of high, medium and low levels
  • Has experience working in pairs for mirroring activities

Current Skills

  • Creating group sequences with mirroring and contrasting elements
  • Communicating and negotiating within a team
  • Using technical language for peer assessment

Next Steps

  • Developing more complex group choreography
  • Leading and teaching others gymnastic skills
  • Creating routines that tell stories or convey emotions

Milestone Indicators

1
Smooth transitions between different sequence elements
2
Clear demonstration of both mirroring and contrasting
3
Effective use of technical vocabulary in feedback

Key Teaching Points

  • Mirroring requires exact matching of movements and timing between group members
  • Contrasting can use level, direction, shape, speed, or stillness to create visual opposition
  • Communication and negotiation skills are essential for successful group routine creation
  • Smooth transitions make sequences look professional and fluent
  • Technical gymnastics vocabulary should be used consistently in feedback and discussion
  • Apparatus work requires additional safety awareness and group coordination
  • Peer assessment develops critical thinking and observation skills alongside technical language use

Common Misconceptions

  • Thinking mirroring just means doing the same movement (timing and coordination are crucial)
  • Believing contrasting only involves high and low levels (many other contrast types exist)
  • Assuming one person should lead the group (collaboration requires all voices)
  • Thinking apparatus sequences should be completely different from floor work (adaptation of core ideas is appropriate)
  • Believing peer assessment means finding faults (focus should be on constructive feedback)
  • Assuming complex movements are always better (clear, simple contrasts can be more effective)
  • Thinking transitions aren't important (smooth transitions make sequences professional)

SEN Adaptations

ADHD
  • Shorter planning phases with movement breaks, clear specific roles in groups, frequent check-ins and refocusing, physical activity maintained throughout
dyspraxia
  • Simplified movement patterns, extra practice time for coordination, peer support for complex sequences, focus on personal improvement rather than comparison
autism spectrum
  • Clear routine structure with visual schedule, quiet practice spaces available, predictable apparatus rotation system, advance notice of transitions
visual impairment
  • Use verbal descriptions of positions, tactile guidance for formations, buddy system for spatial awareness, high contrast floor markings
hearing impairment
  • Visual demonstrations emphasised, written instruction cards available, clear visual signals for transitions, peer partner for communication
physical disability
  • Modified positions adapted to ability, seated or supported variations, focus on upper body or achievable movements, alternative apparatus options

Cross-Curricular Links

English

Technical vocabulary development, descriptive language for peer assessment, communication and negotiation skills

Maths

Counting sequences in 4s and 8s, spatial geometry through formations and pathways, symmetry concepts through mirroring

Science

Forces and balance in gymnastics positions, gravity effects on different body positions, physics of motion during transitions

Art

Visual composition through group formations, contrast and symmetry principles, creative expression through movement

PSHE

Teamwork and collaboration, constructive feedback and criticism, problem-solving and resilience, leadership skills

Teacher Guidance

Positioning

Circulate between groups during planning, position centrally during performances for optimal viewing

Observation Focus

Watch for clear mirroring/contrasting execution, group communication effectiveness, safe apparatus use

Intervention Points

Step in if group communication breaks down, safety concerns arise, or technical misunderstandings persist

Demonstration Notes

Use volunteer pairs to model concepts clearly, emphasise safety in all balance demonstrations, show variety in contrasting examples

Verbal Cues
  • •'Show me the difference clearly'
  • •'Count together - 1, 2, 3, 4'
  • •'What makes this contrasting?'
  • •'Help your group solve this problem'

Safety Considerations

Space & Surface Requirements

Space Requirements

Large hall minimum 15m x 10m for group work and apparatus stations

Surface Check

Clean, dry, non-slip floor suitable for gymnastics work and crab walking

Equipment Safety

Safety Checks
  • •All apparatus checked for stability before use
  • •Mats positioned appropriately for balance work
  • •Adequate spacing between apparatus stations

Risk Management

Key Risks
  • •Collisions during group movement and apparatus transitions
  • •Falls from balance attempts and apparatus work
  • •Overexertion during support positions and jumping
Risk Mitigation
  • •Clear boundaries and pathways established for all activities
  • •Progressive skill building from simple to complex movements
  • •Apparatus rules enforced consistently throughout lesson
  • •Teacher positioned for optimal supervision of apparatus work

Supervision & Emergency Procedures

Supervision Points
  • •Circulate during group planning to monitor safety in routine development
  • •Position for clear view of all apparatus stations during rotations
  • •Monitor fatigue levels during extended sequence practice
Emergency Procedures

Stop signal for immediate halt, trained first aid response, clear evacuation routes from apparatus area