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Big Question

How can we use formations and compositional devices to create outstanding group gymnastics sequences?

Learning Objectives

  • To combine and perform gymnastic actions, shapes and balances with control and fluency in group formations
  • To create sequences using compositional devices including canon and synchronisation to improve quality
  • To evaluate performances and provide constructive feedback to improve sequences

Key Outcomes

  • Students will perform complex group sequences with three clear formations
  • Students will demonstrate understanding of compositional devices in their sequences
  • Students will provide specific feedback using gymnastic terminology

Equipment & Resources Required

Cones
30

Distribute around hall perimeter for collection

Alternative: Bean bags, hoops for warm-up activity

Mats
15

Groups of 3-4 mats per apparatus station

Alternative: Carpet tiles for basic floor work

SAQ Ladders
As available

Space evenly around hall with safety zones

Alternative: Benches, boxes, or low platforms

Agility Trestles
As available

Ensure stable placement with mats underneath

Alternative: Gym benches or low apparatus

Benches
As available

Position with clear space around for safety

Alternative: Low beams or marked lines on floor

Key Vocabulary

Formation

The spatial arrangement of performers in relation to each other

Canon

When performers do the same movement one after another

Synchronisation

When all performers do the same movement at exactly the same time

Compositional devices

Techniques used to make sequences more interesting and varied

Sequence

A series of movements linked together smoothly

Apparatus

Gymnastics equipment used to enhance movements and sequences

Skill Progression Pathway

Understanding where pupils are coming from and where they're going

Prior Learning

  • Individual gymnastic actions and balances
  • Basic sequence creation
  • Simple partner work
  • Understanding of levels and directions

Current Skills

  • Group formation work
  • Compositional devices (canon and synchronisation)
  • Complex sequence creation with apparatus
  • Peer assessment and feedback

Next Steps

  • Advanced compositional techniques
  • Performance for wider audiences
  • Choreographing sequences for specific themes
  • Teaching others gymnastic skills

Milestone Indicators

1
Fluent transitions between formations
2
Clear demonstration of canon and synchronisation
3
Effective use of feedback to improve performance
4
Confident use of gymnastic terminology

Key Teaching Points

  • Formations create visual interest and demonstrate spatial awareness in group work
  • Compositional devices like canon and synchronisation elevate sequence quality significantly
  • Quality of individual actions must be maintained even within group coordination
  • Effective planning and communication are essential for successful group sequences
  • Peer assessment develops critical analysis skills and technical vocabulary
  • Safety in group work requires awareness of others and controlled movement
  • Performance confidence grows through practice and supportive feedback

Common Misconceptions

  • Thinking formations are just about where people stand rather than spatial relationships
  • Believing faster sequences are automatically better than controlled, slower ones
  • Assuming all group members must do identical actions rather than complementary ones
  • Focusing only on individual technique rather than group coordination
  • Thinking peer assessment is about finding faults rather than improving performance
  • Believing apparatus is just decoration rather than integral to sequence design

SEN Adaptations

ADHD
  • Shorter planning phases, clear role assignments, regular movement breaks, immediate feedback
dyspraxia
  • Additional practice time for coordination, simplified formations initially, step-by-step sequence building
autism spectrum
  • Clear sequence structure provided, predictable routines, quiet practice time available, visual schedules
visual impairment
  • Clear verbal descriptions of formations, tactile guidance for apparatus positioning, buddy system for spatial orientation
hearing impairment
  • Visual signals for timing, written instruction cards, demonstrations rather than verbal explanations
physical disability
  • Adapted formations to include seated or supported positions, modified apparatus use, alternative roles in sequences

Cross-Curricular Links

English

Technical vocabulary development, clear communication, descriptive language for feedback

Science

Forces and balance in gymnastics, momentum and movement, teamwork and coordination concepts

Art

Composition and design principles, visual impact, creativity in movement patterns

Geography

Spatial awareness, mapping group positions, understanding of different perspectives and viewpoints

Mathematics

Geometric shapes in formations, counting beats for timing, spatial relationships and angles

PSHE

Cooperation and teamwork, constructive feedback, building confidence, leadership skills

Teacher Guidance

Positioning

Central position with clear view of all apparatus stations, move between groups during development

Observation Focus

Group cooperation, formation clarity, compositional device execution, individual technique quality

Intervention Points

When apparatus safety compromised, group dynamics breaking down, or technique significantly deteriorating

Demonstration Notes

Use confident body language for performance, show clear formation positions, demonstrate timing for compositional devices

Verbal Cues
  • •'Formation change coming up!'
  • •'Together on three... one, two, three!'
  • •'Hold that balance... 5, 4, 3, 2, 1!'
  • •'Flow into the next formation'

Safety Considerations

Space & Surface Requirements

Space Requirements

Large hall space minimum 15m x 20m with apparatus stations around perimeter

Surface Check

Non-slip surface, clean and dry, adequate ceiling height for elevated movements

Equipment Safety

Safety Checks
  • •All apparatus checked for stability before use
  • •Mats positioned appropriately around apparatus
  • •Safe lifting and carrying procedures demonstrated
  • •Emergency stop signals established

Risk Management

Key Risks
  • •Apparatus-related falls or collisions
  • •Group coordination failures leading to collisions
  • •Overconfidence in attempting advanced skills
  • •Fatigue affecting control and safety
Risk Mitigation
  • •Clear apparatus setup and safety zones established
  • •Gradual progression from simple to complex movements
  • •Continuous monitoring of group coordination
  • •Regular breaks and technique checks

Supervision & Emergency Procedures

Supervision Points
  • •Position for visibility of all apparatus stations
  • •Monitor group dynamics for safe cooperation
  • •Watch for fatigue and loss of concentration
  • •Ensure apparatus remains stable throughout lesson
Emergency Procedures

Stop signal recognised by all, first aid available, clear evacuation route maintained